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article by Raul Cabral
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      "The Milonguera Dancer and Her Body"

The milonguera's body is pure sensitivity. When she dances, all her senses are sharpened and channelled into her dance. She builds the structure of her body from the base, her feet. Placing her weight on her whole foot including her heels, her energy surges and she stretches her body from her waist upwards as if she were the string of a violin vibrating at the slightest touch. The milonguera is supple, but toned, soft, but with nothing loose (hips, for instance).

Her body is one, whole. She doesn't hang on her partner, weighing him down, but keeps her own balance, thus she is light. She doesn't efface herself, her presence is notable. She glues her chest to her partner's, that is all.

She is sweet through her gentleness - characterizing her femininity -moulding herself to her partner until it feels as if he were wearing her. She waits, follows, never anticipates. She comes along on his voyage, synchronizing her steps, mirroring his, never rushing. She dances close, around him, requiring little space. She neither breaks their contact nor throws her partner off balance.

Not using their embrace to stabilize herself, she keeps her body axis tilted slightly forward, even when walking backwards. Her weight is on the inside of the balls of her feet, but her whole foot, including her heels are in contact with the floor.

The milonguera knows if she separates herself from her partner, she won't get the information from his body. Therefore she is continuously tuned to the messages he emits from his chest. She feels the messages, doesn't analyze them, doesn't think about what he or she is doing.

The milonguera is pure feeling, rediscovering at every instant the magic of tango."

Article forwarded by Teresa Miller